TAKASHI MURAKAMI THE INTERVIEW

Stepping into the world of Takashi Murakami's artistic brilliance this summer was an extraordinary journey. This summer for WHITEWALL magazine at the Gagosian gallery in Paris, I found myself immersed in the privilege of filming an exclusive interview with the maestro himself, right before the unveiling of his latest masterpiece.

Murakami's exhibition at Gagosian unfolded like a vibrant tapestry of creativity. The interview, set against the backdrop of his avant-garde creation, offered a rare insight into the mind of a contemporary art icon. Murakami's ability to seamlessly blend traditional and pop culture influences echoed through his latest piece, leaving a trail of awe and inspiration.

From discussing the intricate details of his artistic process to unraveling the conceptual layers of his exhibition, the interview was a kaleidoscope of thoughts and ideas. Murakami's passion for pushing boundaries and redefining artistic norms shone through, making each frame a testament to his visionary approach.

The Gagosian gallery, a fitting stage for Murakami's brilliance, became a canvas where emotions and creativity collided. The interview not only captured the essence of his latest creation but also delved into the artist's perspective on the ever-evolving art scene.

Enjoy

#TakashiMurakami #GagosianGallery #ArtisticJourney #ParisArtScene #InnovationInArt #whitewallmagazine

A fun moment with the Artist.

MARCO BRAMBILLA THE INTERVIEW

I had the immense pleasure and honor of interviewing Marco Brambilla for the Mill Paris.

In the dynamic realm of contemporary art and filmmaking, Marco Brambilla emerges as a luminary, celebrated for his groundbreaking contributions to visual storytelling. My recent interview with this visionary artist delved into his transformative work within the MSG Las Vegas Sphere, a revolutionary blend of art, technology, and entertainment. Within the heart of this innovative venue, Brambilla's creative genius finds expression, pushing the boundaries of artistic storytelling and redefining the spectator experience. His insights into the creative process unveiled a meticulous dedication to precision, emphasizing the collaborative synergy with a talented team of artists and technicians.

Brambilla's diverse sources of inspiration, spanning from classic art to contemporary cinema, underscored the evolution of his visual language that resonates profoundly with audiences. This commitment to exploration has shaped his distinctive body of work, making him a true pioneer in the artistic landscape. As we navigated through his career trajectory, Brambilla shared reflections on the challenges and triumphs that defined his journey, emphasizing the importance of embracing the unexpected, fearless experimentation, and a willingness to take risks.

In the brief yet captivating 10-minute conversation I had with the Artist, Brambilla's narrative unfolded as a testament to relentless innovation. The MSG Las Vegas Sphere not only showcases his creativity but also stands as a symbol of the boundless possibilities that arise when art and technology converge. As our interview concluded, it became evident that Marco Brambilla's legacy transcends the confines of canvas or screen – it beckons us to explore the limitless potential of human imagination, urging aspiring artists to dare to be different in their pursuit of an artistic vision.

LOUBOUTIN- LE DUO

Produced by the Mill+, I was excited to direct these 2 TVC’s for the LOUBOUTIN brand. Despite being a shoe maker, the TVC was centered on their makeup line. All was shot in a day, in a white studio setting. As you can imagine there were tons of footage of different emotional expressions the models created and we spent time with the client who has their own internal creative agency to work out which attitudes worked best for the brand.

It was a fun shoot and despite the fact that Lauren, one of the models, had a 40° C fever she carried on like a trouper. This certainly changes style from my usual comedy scripts, bringing me back to my origins as a beauty director.

It certainly made me want to do more in this direction.

Thanks again to the whole crew at the Mill for such a stellar job.

LACOSTE + NOVAK

In collaboration with the agency BETC, I directed, DOP’ed and Edited a new TVC for the iconic brand Lacoste. This was shot in 2 days during the strikes in Paris and edited on a train to La Rochelle. I travelled around town in a hired electric scooter with my camera in a bag. I do believe as a one man crew this was the most eco friendly shoot I’ve ever been on.

What was interesting was that the initial pitch was just for a post production company to come up with designs for a digital matte painting to integrate both the crocodile and Novak. The story board suggested a sequence shot with maybe one or two close ups but nothing more. The energy of the game of tennis was missing. It was considered that timing and budget would be an issue. This was all taken into account during the pitch process and instead of reacting like any normal post house, we turned the brief on its head, why don’t you shoot it? Not a natural reaction from a post house. But in truth the Mill isn’t just any post house, we have a production office too.

Having an integrated production team at the Mill helped solve most of the problem. The fact that I knew how to shoot and edit helped too. The last important point is that I love tennis and that I had a feeling of how the game should be re created between the iconic brand logo and one of the best players in the world.

What sealed the deal was a 15 second rough cut shot on an iPhone with a real match sound looped in. For those of you who are curious I added the iPhone version at the end of this post.

Below are some “making of” photos.

Enjoy.

Below is the rough iPhone edit version that was literally done in 5 minutes.

ALLTRICKS

Shot in Palma de Mallorca for the brand ALLTRICKS and the Agency LA CHOSE, a series of 3 TVC’s depicting high action and a little comedy to get the message across. The challenge was getting the 3 films in a 2 day shoot with all the location moves. The only way to achieve it was for me to do double duty by directing and doing the D.O.P. work all by myself. Not an easy task but one that was throughly enjoyable.

You can see the see the films below with 30 second versions coming next year

NEW WEBSITE

Welcome to my new website where i’ll be posting my new films and the news concerning my work. If there are any social requests don’t hesitate to contact me.